Some references

Chou, Chao-Chiun. (2020). ‘The Depth of Sound‹. The Creation of Sonic Space in Works by Giacinto Scelsi and Gérard Grisey’, in Klang: Wundertüte oder Stiefkind der Musiktheorie. 16. Jahreskongress der Gesellschaft für Musiktheorie Hannover 2016 (= GMTH Proceedings 2016), hg. von Britta Giesecke von Bergh, Volker Helbing, Sebastian Knappe und Sören Sönksen, 151–162. p.11, veröffentlicht / first published: 01/10/2020. Available at:

Dauben, Joseph, W. (1983). ‘Georg Cantor and the Origins of the Transfinite Set Theory’. Scientific American, June, Vol. 248, No. 6, pp. 122-131. Available at;

Eagle, Antony. (2021). ‘Chance versus Randomness’. Stanford Encyclopedia of Philosophy, Spring, Edward N Zalta (Ed.) [online]. Available at:

Iddon, Martin. (2013). New Music at Darmstadt, Nono, Stockhausen, Cage and Boulez. Cambridge: Cambridge University Press.

Jones, Luke and Gingell, George. (2020). ‘Life and Work of Zaha Hadid’, in four episodes Available at:
Ep 1 The AA Days:
Ep 2 The Peak Competition:
Ep 3 From Vitra to Cardiff Opera House:
Ep 4 The Parametric Years:

Nielinger-Vakil, Carola. (2016). Luigi Nono: A Composer in Context. Cambridge : Cambridge University Press.

Pasticci, Susanna. (Chief Ed., Direttore). (2022). ‘Berio and dramatical space’. Chigiana, Journal of Musicological Studies, Academia Musicale Chigiana. Available at:

Steiner, Hans-Christophe. (1999). ‘1958 – Philips Pavilion Poème Electronique, by Le Corbusier, Iannis Xenakis, and Edgar Varèse’. Available at:

Tobin, David, S. (2020). ‘Cardiff Bay Opera House’. Tobin. Available at: