With a combination of instructional and graphic score and an initial question and answer session the Free Range Orchestra interpreted the image colouristically. The recording was made with a Zoom H4N, as all the FRO recordings, and the general approach in line with an internal thesis ethic to do with truth and political autonomy of individuals was to leave all sounds 'as is'. This inclusively allowed for foot stamping and whatever noises were created, even squeaks from electronic equipment. Occasionally sound volume was moderated by a volume envelope where after initial distortion was aimed at in ZH the Life and Space Machine thereafter a pushing of limits close to boundaries as Zaha Hadid did was aimed at, yet avoiding clippping where feasible. Some other effects were utilised from time to time, with the overall aim, however, to remain raw and faithful to the produced sound